top of page
Search

The New Imitation Game. Part 1: Can AI Write Your Memoir? Yes. That’s Not Point.

  • Writer: Mark Wogan
    Mark Wogan
  • Jun 7
  • 4 min read

Updated: 5 days ago



Like everyone in the written word business, I'm thinking about what AI means for what I do.

What follows is focused on my lane, biography and memoir, though most of it transfers across the writing spectrum. The central question is simple enough: if AI can produce convincing, fluent, structured prose on demand, what exactly is left for someone like me to do?


First up - this isn't philosophical, it's existential. Talking about AI as if the sky is falling or somehow artistically soulless seems pointless right now and gets us nowhere fast. Clear strategic analysis is what's needed. 


Some of what follows is uncomfortable, some encouraging, but the starting point is non-negotiable.


AI has changed the game fundamentally and will only get better at it. So the question is not whether AI will affect memoir writing or any written content, it’s about where writers can add value.


The starting point is to realise writing isn't simply the act of mechanically turning information into prose.


The Misunderstanding

Most people assume memoir writing is about the actual writing. It's an easy mistake, writing is the visible part, the thing you end up holding at the end. But it isn't where the real work happens.


The harder part is working out what belongs in the story in the first place. What matters and what doesn't. What has been simplified or mythologised over time, what's being avoided and what looks minor but carries real weight and reader interest. AI is far less adept at this and requires another human with skill and nuanced understanding to add real colour and depth.


AI will give you the beige book, a human will deliver the magenta one.


It requires questioning, listening, pushing back and knowing when to ease off. It means writing from not only your pov but from your readers (if you audience is the general public). It requires a feel for the person and their story, and most of this happens before a single keyboard stroke or clean paragraph is written. It requires another human in the room rather than a more sophisticated search engine. 


AI works with what it's given. The harder part is deciding what should be given in the first place.


The Interview Problem

Take a well-known industry leader. Using AI, they can produce a readable, straightforward account.  What they’re far less likely to produce is a story that moves people, finds deeper meaning and takes readers to places they may not be expecting.


That takes another human to be able to interrogate and edit and reach further than the obvious recalling of chronologically ordered events. For example if the person says "during that time we had a difficult period at board level," AI will accept it, place it in sequence and move on.


A human who understands that world knows that phrase is loaded. It could cover investor conflict, internal politics or business survival. So you go back. You ask what was actually happening, who was involved, what was at risk and what wasn't said. 


That’s where the gold’s buried. 


AI doesn't know when an answer is incomplete, when a pause carries a whole other version of events, or when the question itself is coming from the wrong angle and needs to be expressed differently. Most people don't give the real answer first time anyway - memory is selective and often needs careful coaxing before important details return. Getting past that requires reading people, something that happens in the room, face to face, not in a prompt.


A Clean Story Isn't Always a True One

AI makes things read smoothly. It takes what it's given and produces something clear and easy to follow.


But real lives don't unfold like that. People contradict themselves and are more comfortable with reputation and myth making than with less attractive accounts. That’s fine, it’s part of the job of the memoir writer to understand what their clients goals are, and if that means treading lightly in some areas, thats what the writer should do.


But if you smooth everything out you don't just tidy the story, you risk losing what actually mattered.


A good memoir, and by extension a good writer, knows when to leave the rough edges in place. That's not a technical decision, it's a judgement call shaped by life experience, context and understanding. AI is a consensus machine in this regard whilst good memoir is more often about dissent, contradiction and the messier aspects of life.


AI can make something read well, judgement is different. It's deciding what should be questioned, what should be left alone, and what really matters. That part is still human and arguably will remain so for much longer than the mechanical aspect of recording and transcribing. 


Where Does This Leave Us?

For a simple account of a life AI may be enough. It's fast, cheaper than hiring a writer, and gets a  good enough result. For some people, that's exactly what they need.


For anything more complex, the requirements change. These projects depend on judgement, listening and proportion. On knowing when something strikes a real chord with readers, recognising body language...and understanding what isn't being said. 


AI can produce a version of a story. The question is whether that version is enough, or whether what's needed is something that will stand the test of time as a compelling story under scrutiny.


Which leads to a more useful question. Not whether AI can write a memoir. But what a memoir is actually for.


That's Part 2.


 
 
bottom of page